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| Digital MicroMirror Device™ | 3 x high resolution S-XGA DLP Cinema™ DMD™ Dark Metal 3 type |
| Housing | Dust-proof; fitted with a quick-change air inlet filter and incorporating a hermetically sealed optics and DMD assembly |
| Cooling | Integrated 3 chip liquid cooling system and heat exchanger. Temperature alarms indicate out of range operation and/or shutdown lamp power supply. |
| Resolution | 1280x1024 per Red, Green and Blue channels; equivalent to 3.9 million pixels. |
| Contrast | 1350:1 (full white / full black) |
| Color Processing | • Bit depth: 45 bit (15 bit per color) • Color Shades: 35 trillion • Color Gamut: 40% better than HDTV (equivalent to film) |
| Digital Video Input | • 2 x SMPTE 292M inputs, Selectable individually or as a linked pair. • Dual port to support future digital cinema formats • Single port compatible with the formats listed below
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| Graphics Input | DFP (Digital Flat Panel) interface, 24 bit RGB, 1280 x 1024, with frequency range 23 - 96 Hz DVI standard resolutions (640x480 and 1024x768 and 1280x1024). Also supports non-standard packaging at 10 or 12 bit per color |
| Control Interface | RS232/RS422 for RC567 D-Cine Premiere controller and PC set-up software or 100 base T Ethernet. |
| Image Control | D-Cine Premiere communication software for projector, lens and source set-up plus display geometry (resizing) and masking (cropping) and color calibration. |
| Security | High security image processing card frame equipped with Dallas key and 6 Pin number code protection system. Optional fully integrated video and audio decoder. |
| Power Supply | Digital head, cooling pump and touch screen; Auto ranging 90-240V |
| Weight | Digital head and standard single anamorphic lens holder (excluding lens); 52kg / 115lb |
| Diagnostics | Digital head temperature / fan speed / status/ liquid cooling / electronic power supply. Display; RC567 touch screen panel or via Ethernet. |
| Lenses | Prime All focal lengths covered by a wide range of fixed focal length and zoom lenses. X, Y and Z (focus) adjustment Focus range: +/- 10mm from nominal position Shift range: 35% of screen height in all directions
Anamorphic Lenses 1.5 (flat) and 1.9 (scope) options X, Y and Z adjustment
Lens Mounting Single anamorphic lens mount included; Dual lens mount option.
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| Lamp house | Type Kinoton, FP50D console
Illumination Optional 2kW, 3kW, 5kW, and 7kW Xenon Arc lamp depending on screen size
Reflector Standard f2.0 dichroic glass type
Power Supply Lamp power supply - EUR version IREM 3-7 kW three phase 360-460V 50 Hz Lamp Power supply - USA version IREM 3-7kW three phase 187-230V 60 Hz
Projector control 4 x LED status indicators: OK / Power / Communication and Alarm 4 push button control of digital head modes 4 user definable lamp house or automation controls 4 general purpose relays |
| Options | Digital Head • Decoder - Fully integrated, tamper-evident, Qualcomm Image Decoder • CLO - Constant Light Output processing • PC Input - For direct connection of a PC input to the digital head. Dual Anamorphic Lens fitting – for 1.5x and 1.9x lenses
Remote Touch Screen Projector Control Highly integrated remote control of the operations of the D-Cine Premiere plus a diagnostics display and automation interface.
ACSAR Alternative Content Switcher and Router A powerful scaler and router, designed to convert any analogue or digital signal to the DVI digital input of the D-Cine Premiere digital head. |